Koo Jeong A “Land of Ousss [Kangse]” LUMA Arles

Koo Jeong A’s exhibition “Land of Ousss [Kangse]” feels oddly scattered. Contrary to what the title implies, it isn’t concerned…
“The Gatherers” MoMA PS1, New York

What are the stakes of insisting upon political hope, in all its felt potential for redeeming past injustices, when progressivism…
“HEAD FOR THE HILLS!” Hammer Museum, Los Angeles

The Hammer Museum group exhibition “HEAD FOR THE HILLS!” takes its title from John Knight’s 1974 untitled slide projection piece.…
Latest Issues
ANY: Silvery-Grayish Boxes

If cathode ray blue was the color of the “digital,” and millennial pink that of the “post-digital,” with perhaps a…
Features, VOLUMES - Crisis Formalism
Repairing Shinjuku

We held a solo exhibition titled “TEIRE / Repair” (2021) at Whitehouse in Shinjuku. The exhibition centered on repairing the…
Features, VOLUMES - Crisis Formalism
Forms’ Fall from Utopia

We live in the shadows of forms. Ideas, perfection of realities made through abstraction. Extracting something’s essence through philosophical clinical…
Features, VOLUMES - Crisis Formalism
Who Are These People? A Conversation with Kai Althoff

Carlo Antonelli: Who are these people, the ones that populates your works? Kai Althoff: They accumulate. Some return more often…
Archive, VOLUMES - Crisis Formalism
TOWARDS A CYBERSPACIAL URBAN TERRAIN. A Conversation with Rem Koolhaas

Francesco Bonami: Do you still think that Manhattan is the center of the culture of congestion? Rem Koolhaas: It is…
Features, VOLUMES - Crisis Formalism
Bayberry Greenhouses: Monumentality and Cropscape

Clouds of mist part in the mountains of Lin’an (临安), China to reveal a fragment of reptilian skin. A mass…
Zurich: Peripheral Presence.

Moving through Zurich — whether on foot, by bicycle, tram, or car — rarely involves a direct or uninterrupted trajectory.…
Madrid: Hypnotic Laugh Track

“It did what all ads are supposed to do: create an anxiety relievable by purchase.” – David Foster Wallace, Infinite…
Chicago: Model City

“You see the eastern critics and historians that assigned Chicago the place of the skeleton frame, thereby, you know, together…
Same is More: Parisian Architecture à l’identique

For a century, architecture has been a crippled art — every building that has been built proves it; formal combinations…
-
SUMMER 351 2025
→







